猪 Psy (1992)

猪 Psy (1992)
又名:猪狗不如,波兰警察故事
导演：瓦迪斯瓦夫·帕西科夫斯基 Wladyslaw Pasikowski
主演：Ryszard Pietruski Ryszard Pietruski/Mariusz Pilawski Mariusz Pilawski/Edward Linde-Lubaszenko Edward Linde-Lubaszenko/马切伊·科兹罗斯基 Maciej Kozlowski/Mariusz Siudzinski Mariusz Siudzinski/塔德乌什·胡克 Tadeusz Huk/Agnieszka Jaskólka Agnieszka Jaskólka/Eugeniusz Karczewski Eugeniusz Karczewski/Elzbieta Jedrzejewska/斯莱沃米尔·奥奇斯基 Slawomir Orzechowski/米洛斯拉夫·奥茨科斯 Miroslaw Oczkos/Jan Pyjor Jan Pyjor/Tadeusz Szymków Tadeusz Szymków/Helena Sztyber Helena Sztyber/比涅尤·扎塔西奇斯 Zbigniew Zapasiewicz/亚特·祖米卓斯基 Artur Zmijewski/安娜·格泽斯斯卡萨克 Anna Grzeszczak/Andrzej Jurczak Andrzej Jurczak/Marek Kasprzyk Marek Kasprzyk/Witold Bielinski Witold Bielinski/Jerzy Bonczak Jerzy Bonczak/伊黛塔·奥丝佐卡 Edyta Olszówka/奥拉夫·卢巴申科 Olaf Lubaszenko/马雷克·孔德拉特 Marek Kondrat/沃伊切赫·帕奇纳 Wojciech Pacyna/采扎里·帕祖拉 Cezary Pazura/扬·马休斯基 Jan Machulski/Zbigniew Bielski Zbigniew Bielski/亚历山大·贝德纳茨 Aleksander Bednarz/Ryszard Fischbach Ryszard Fischbach/扬努斯·加约斯 Janusz Gajos/Teodor Gendera Teodor Gendera/汉娜·杜诺夫斯卡 Hanna Dunowska/托马斯·德德克 Tomasz Dedek/Tadeusz Falana Tadeusz Falana/Jolanta Fraszynska Jolanta Fraszynska/亚历克桑德·法比西亚克 Aleksander Fabisiak/Marek Frackowiak Marek Frackowiak/博古斯瓦夫·林达 Bogusław Linda
上映日期:1992-11-20
语言:波兰语,英语,德语,俄语

上映地区:波兰
种子资源数:3
豆瓣评分: IMDB评分:7.6
剧情简介：
"Psy" translates from Polish into dogs. The English title is "Pigs." Both titles are intended as slang references to the police.
　　In 1990 a group of former Communist Security Service officers after a verification get hired by the police. Franciszek "Franz" Maruer is one of them. His friend, Olgier "Olo" Zwirski, is not. Franz leads a new group of cops from crime unit on an operation against an international crime group. The operation goes wrong when they're attacked by thugs, who - as Franz believes - are also old Security Service officers, like them. He doesn't know which side is Olo on yet.
　　What is 'Dogs' about? 'About a dog's world, about the fact that freedom also engenders filth and stupidity while destroying ideals. Everything has been debased, sullied in mud, thrown into the cesspool,' wrote a reviewer. Such extreme critical reactions were elicited by the film's subject matter and its portrayal of the world as fundamentally castrated of positives and saturated with cynicism, moral dirt and cruelty. A world that is simultaneously hardly abstract, and in fact present in the here and now (i.e. in Poland in 1989), one that is additionally portrayed in an iconoclastic and provocative manner, derisive of all things sacred, be they related to nation or religion. Behind this façade of scoffing and anti-martyrological blasphemies, there was something more - a morality tale, a painful diagnosis of contemporary Poland. Was this 'cinema of immoral anxiety'? Opinions were divided. Only viewers succeeded in 'expressing themselves' clearly, demonstrating their fascination by lining up in front of the box office and rendering 'Dogs' a commercial hit.
　　Polish cinema went through a relatively quick and much needed transition in the late 80s that mirrored political changes. As Poland became a democratic country the state let go of its monopoly of the film industry and censorship was lifted. This not only gave freedom to Polish movie making but also allowed foreign films to be screened. These new film policies were well received among new audiences who were too young to remember the solidarity movements and became tired of watching movies about it. In a new market economy for film audiences started to choose what they wanted to watch. This meant classic Polish films struggled to capture audiences as foreign Hollywood-like films gained popularity. As some feared the end of Polish cinema others saw it as a chance to catch up with the rest of Europe and the world. It is through the Americanization of a very Polish story that Pigs expresses controversial and previously restricted topics. Issues of political instability with a lack of a real national hero are raised. Inequalities and corruption in the state ranging from a social to personal level are also looked at. Finally large scale criminal activity is recognized as a reality, presented through taboo subtopics of violence, vulgar language and drugs.
　　Polish Film Festival
　　1992 Won Best Actor Boguslaw Linda
　　1992 Won Best Director Wladyslaw Pasikowski
　　1992 Won Best Editing Zbigniew Nicinski Wanda Zeman
　　1992 Won Best Score Michal Lorenc
　　1992 Won Best Supporting Actress Agnieszka Jaskólka