峡谷航道 Canyon Passage (1946)

峡谷航道 Canyon Passage (1946)

导演：雅克·特纳 Jacques Tourneur
主演：达纳·安德鲁斯 Dana Andrews/布莱恩·唐莱维 Brian Donlevy/苏珊·海沃德 Susan Hayward/沃德·邦德 Ward Bond/帕特里西亚·罗克 Patricia Roc/霍基·卡迈尔克 Hoagy Carmichael/Joseph P. Mack Joseph P. Mack/弗朗西斯·麦克唐纳 Francis McDonald/威廉·考夫曼 Willy Kaufman/Jack Ingram Jack Ingram/Sherry Hall Sherry Hall/哈利韦尔·霍布斯 Halliwell Hobbes/Karl Hackett Karl Hackett/彼得·惠特尼 Peter Whitney/拉尔夫·彼得斯 Ralph Peters/Wallace Scott Wallace Scott/Gene Roth Gene Roth/Jack Rockwell Jack Rockwell/雷·蒂尔 Ray Teal/翁斯洛·史蒂文斯 Onslow Stevens/尤拉基耶酋长 Chief Yowlachie/桃乐茜·皮特森 Dorothy Peterson/Denny Devine Denny Devine/菲·霍尔登 Fay Holden/安迪·德怀恩 Andy Devine/哈里·香农 Harry Shannon/杰伊·丝沃黑尔 Jay Silverheels/劳埃德·布里吉斯 Lloyd Bridges/斯坦利·里吉斯 Stanley Ridges/埃迪·邓恩 Eddie Dunn/罗丝·霍巴德 Rose Hobart/弗兰克·弗格森 Frank Ferguson/Tad Devine Tad Devine/Jack Clifford Jack Clifford/詹姆斯·卡德韦尔 James Cardwell/Victor Cutler Victor Cutler/Harlan Briggs Harlan Briggs/Chester Clute Chester Clute/埃尔维利·阿尔德森 Erville Alderson/理查德·亚历山大 Richard Alexander/雷克斯·利斯 Rex Lease
上映日期:1946-08-07
语言:英语
片长: 92 分钟
上映地区:美国
种子资源数:6
豆瓣评分: IMDB评分:6.9
剧情简介：
"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."